Aniruddha V. Nafrey reveals how projects like the Vande Mataram Museum prioritise storytelling, inclusivity, and sustainability

At the heart of Bhuj, Gujarat, stands the Vande Mataram Museum – a masterpiece that marries architectural grandeur with patriotic storytelling. Designed by Aniruddha V. Nafrey, founder and Principal Architect of Arriva Designs Pvt. Ltd. (ADPL), this 35,000 sq ft structure draws inspiration from the Indian Parliament and Jahangir Darbar, a flawless combination of colonial, Mughal, and traditional Indian architectural elements.

The museum serves as more than just a building; it’s a cultural beacon that chronicles India’s freedom struggle through immersive spaces and thoughtful design. As we celebrate our 75th Republic Day, we sat down with Aniruddha to understand how public architecture can embody democratic values and create spaces that belong to every citizen. Here’s what he shared about his vision for this remarkable project:

How does your design approach change when working on government projects versus private commissions, particularly in terms of representing democratic values and accessibility?

Government projects like the Vande Mataram Museum demand a deeper focus on inclusivity, cultural pride, and reflecting democratic values. The design approach emphasizes storytelling and accessibility for diverse audiences while creating monumental spaces that inspire. Unlike private commissions, which may cater to niche needs, public projects require blending grandeur with functionality, as seen in the museum’s interactive galleries and welcoming design elements.

What specific design elements do you incorporate to ensure your public buildings are accessible to all citizens, regardless of physical ability or socioeconomic status?

Accessibility is integral to the Vande Mataram Museum’s design. Wide passageways, natural lighting, and strategically placed ramps ensure physical accessibility. Additionally, interactive displays, themed galleries, and immersive installations engage visitors across demographics, making the space inclusive and educational for all. The symmetrical layouts and open atrium further enhance ease of movement and visibility for visitors.

How do you address the challenge of creating spaces that are both monumental (befitting government institutions) yet welcoming to ordinary citizens? Can you share an example quoting feedback or stories from users of the space?

The Vande Mataram Museum achieves a balance between grandeur and approachability through its blend of Mughal, colonial, and traditional Indian design. Monumental domes and arches evoke national pride, while the warm, elegant interiors create a welcoming atmosphere. Visitors often share how the museum’s immersive galleries and cultural narratives offer a sense of belonging while honoring India’s history, making it both majestic and relatable.

How do you see the role of architecture evolving in shaping India’s public and urban spaces?

Architecture is increasingly becoming a medium for storytelling and social connection in India’s public spaces. Projects like the Vande Mataram Museum demonstrate how design can merge cultural heritage with modern sustainability, fostering education and patriotism. Future public architecture must emphasize inclusivity, environmental consciousness, and community engagement to shape vibrant, accessible urban spaces.

In your experience, how has the design of public spaces evolved since India’s independence, and what key lessons have influenced your work?

Public spaces in India have evolved from purely functional structures to symbolic hubs of culture and identity. Post-independence designs often focused on utilitarian needs, but today, projects like the Vande Mataram Museum prioritize storytelling, inclusivity, and sustainability. A key lesson is the importance of creating spaces that celebrate heritage while fostering a connection between citizens and their history.

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